During a night of fado, the voices are authentic: there is no external amplification, no ornaments, no filters. Only nerve, talent, soul and passion. When RAÜL REFREE heard LINA singing at the Lisbon Clube de Fado, he was impressed by her voice. Shortly after they met in a special recording studio, where REFREE framed the strength of LINA’s voice LINA in analogue clouds, and left the traditional fado guitars only in the imagination. A great student of the work of Amália Rodrigues, LINA selected some classics of the diva as a basis for their repertoire.