JOAN COLOMO (The Unfinished Sympathy, La Célula Durmiente i Zeidun) débuts solo, and demonstrates his restlessness and his musical universe going beyond the frontiers of the singer-songwriter song. In Contra todo pronóstico (BCore, 2010) he plays with some compositions that escape the world of rock, and enters more deeply with orchestral and acoustic arrangements and elements of circus or cabaret, combined with socially compromised texts in Catalan, Spanish and English.